Bhagavad Gita: In the Beginning was the Word

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Every year I read the Gita, but do I sing the Song of God? And I don't mean the Baptist Church Choir Song of God, I mean the quotidian one-woman a cappella ditty that expresses my connection however meagre to the divine. Or let me put it to you this way: ever have one of those moments where you're reading and your eyes and moving left-to-right across the page and you're following the words, but you're not quite taking them in? Or maybe, even though the words are in your native tongue, they have begun to resemble Aztec symbols rather that actual words. But you're there, you're getting the gist of the gist. You're reading it. You're soaking in it. And sometimes you light upon a sentence that resonates. "It's all temporary," you tell your roommate, your doorman or your cactus. "The heat, the cold, the pleasure, the pain. This too shall pass." And you feel it so much and you're ready to make it though all the rashes and the breakups, the head-cases and head-colds. Due to this aha moment, you sit down with the Gita, start reading and the same thing happens again. Only now you're peeved because Krishna spoke to you before. Is he on a yoga retreat? As Shirley Bassey would say, "Where do I begin?" 

I say, if you really want to read the Gita, practice bibliomancy; let the book fall open to a particular page and check in a sloka or two. Then close the book and meditate on said sloka for a few. How does one warrior's deep, deep doubt/fear on the eve of battle transliterate into my life experience? I don't have Krishna as my charioteer, I have the conductor on the F train and nice and s/he may or may not be, I am not having a dharmic dialogue with her/him. Only I am having a dialogue with myself which some would say is insanity but enlightened others would recognize as the first step towards understanding the ubiquity and transcendence of my divine. 

One of the only things I learned in grad school is that the word is meaningless outside the context. What I learned reading the Gita is the context is meaningless outside the Word. This is called metaphor and it's akin to applying the use of historiography to the making of legend, or rather, dharma. Think of Achilles. Homeboy didn't want to fight the war either. He hid in his tent with his boytoy Patroklus and wouldn't come out even though the Greeks were needing them some Achilles. It wasn't until Hektor slew Patroklus that Achilles got amped up enough to go out there and so some serious damage. Goodbye Trojans, hello Rome. When Orestes was told to slay his mother for killing his father, he just did so without too much thought. He CERTAINLY weren't no Hamlet. My point is that somewhere between just do it and four days a week on the couch is a middle ground where the divine lives, breathes and blossoms. It's a resource which, if we open to it, can lead us to The Source. If the Source scares or annoys you, good. Just feel this fact: to everything there is a season. Every war has the eve before, the week before, the month before. Nothing is out of the blue. Yet every war also contains the during and the after: peace. The question is, could you see your divinity in during your regular life as much as you do in your martial advent so that just maybe, at the eleventh hour, you look up, breathe into your own divinity and you just do it. Thus you are no longer the blind-seer, you are insight itself. You are dharma. You are Krishna.

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it is amazing to be part of the "battle" (what ever that means to each of us). the gita reminds us to not be attached to the results of our actions... that alone is freedom!

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Thank you for this, Sri Emily. What I find so potent about the Gita is Arjuna's doubt. There would be no song of god if Arjuna wasn't confused and afraid. Yet whenever I feel my fear I get in a big rush to have a different experience. The urge to get out of dodge can be so strong that I miss out on what fear so often represents, which for me is vulnerability. As uncomfortable as it may feel, vulnerability and uncertainty aren't inherently bad. They're just emotional qualities that come and go like everything else.

I like extending the metaphor to the physical practice: the word becomes asana, the context the classroom. Or the lack thereof. When we step out of the studio, is it possible to channel some of the mojo we call on to extend a leg in utthita hasta padagustasana or endure the claustrophobia of a bind. Can those little moments of exegesis tesselate unto our 'eleventh hours'?

Will I be able to recognize some of the battles I deal with off my mat with the same grace and steady breathing that I call up during the challenges I face in my practice?

Maybe we don't even have to call them up consciously. When we practice, we program a set of reactions to particular poses. When we encounter similar feelings in the day-to-day, our brain and body team up to cull the reaction through the wiring we've already been working on, albeit indirectly.

In that way, the movement really can translate towards insight; I've been here before. I survived. Maybe i thrived. It's like that Krishna, a charioteer guiding the soul vehicle down a more dharma-centric path.

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Beautiful, Emily. Slipping open the Gita and taking in as much as I am able in that moment is my favorite way to read it. In my oh so virgo way, I grasp at sitting down and beginning a book on Page 1 and imagine myself sailing intellectually through to 'The End'. I did this with the Bible when I was in 6th grade and suddenly thrust into the deep waters of Catholic School...I never made it past the Old Testament.

I keep sitting with a few slokas and I wonder if I will ever read the whole Gita?!
I definitely want to sit down at some point and just read through it. It is crazy to think this is a conversation that happened over a few hours before a battle began. I guess when the Divine rains, She pours.
I was reading in Chapter 12 this morning and took note of verse 13 and 14. The message is like one of my favorite Yoga Sutras—the Maitri Karuna sutra that talks about how one should react to people, (Friendliness towards the happy, compassion for the unhappy, delight in the virtuous, disregard towards the wicked.) Both these sayings are like guiding words for me. Even if some parts seem much harder than others, I atleast can focus on these traits as opposed to worrying about whether or not my outfit is right or whatever mundane worry is on my mind. They are like a handful of suggestions of how to open ourselves up to our true Self.

The verses are sub-titled The True Devotee-- “He who has no ill will to any being, who is friendly and compassionate, free from egoism, and self-sense, even-minded in pain and pleasure and patient. The Yogi who is ever content, self-controlled, unshakeable in determination, with mind and understanding given up to Me—he, My devotee, is dear to Me.”
If you don’t know now you know! OK! What more can I do Lord?! Just try to be a friendly and helpful and patient... Keep on trucking towards Krishna, Thanks for the posts Emily, keep singing your Gita sister, Om Shanti.

Luke, those slokas can freak me out! I'm like, dang, I am NOT that devotee.
Thank goodness for Chap. 9, sloka 30 " Even if the worst sinner devotes his life to me with firm resolve, he will be transformed into a saint." And then Swami Satch says, just as beautifully, "Never think 'I am unfit. I'm sinful and unworthy.' If you are unworthy, worship more, practice more yoga. This opportunity is for everyone."
Jai ma to that.

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Emily---I really liked this entry! Im going to come take your class on Friday, Im really excited.

Beautiful commentary on the Gita Emily

Took your advice and opened to to this sloka, not from Arjuna or Krishna, but from Sanjaya (the narrator in the beginning):
"Having spoken these words, the Lord once again assumed the gentle form of Krishna and consoled his devotee, who had been so afraid."

I found this very moving. Krishna takes on the human form to console Arjuna. And as afraid and doubtful as we all get, we can also be the role of Krishna, there to console our friends. The Gita reminds us of the importance of our relationship to others. In addition to so many powerful themes, there emerges a simple story of friendship.

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I just learned about the Sikh tradition of the Gurdwara. In part of the divine ceremony, a devotee randomly selects of verse of their holy text in much the way you're describing. The selection is called a hukam, and it is only made after the ardas, the prayer of petition, has been offered. The hukam is considered the Guru's orders. I love this. I've worked with texts in this way without even meaning to, opening a book to reveal the words I needed to hear in that moment. Now I've added the extra boost of intention to the process, taking a moment before I open a text to honor and appeal to Universe for its teachings. The process creates such a feeling of connectedness, of the Universe watching out for you.

Emily Ma,
Thanks for your words of wisdom on the Gita. I also love to open the page and let the words speak to me and then sit with it. I especially relate to what you said in the last paragraph of your entry about the middle ground of divinity that lives between the just do it and the four days on the couch. I think I have spent much of my life in one extreme or the other. I think that both places might spring out of fear. Either you are paralyzed by your fear to inaction or you're so terrified that you react before the pondering can begin. So I have made it my sadhana of late to search for that middle ground. So I understand how much I am like Arjuna, confused at what my dharma is at some points. Finally, it is that surrender and sitting with "what is" that right action flows out of.

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This page contains a single entry by emily published on January 16, 2010 1:37 PM.

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